Between 750 BC and 400 BC, the Historic Greeks composed songs intended to be accompanied through the lyre, reed-pipes, and various according tocussion instruments. Greater than 2,000 years later, modern scholars have ultimately figured out the right way to reconstruct and according toshape those songs with (it’s claimed) 100% accuracy.
Writing at the BBC internetweb page, Armand D’Angour, a musician and tutor in classics at Oxford University, notes:
[Ancient Greek] instruments are identified from descriptions, paintings and archaeological stays, which enable us to establish the timbres and vary of pitches they professionalduced.
And now, new revelos angelestions about historical Greek song have emerged from a couple of dozen historical documentuments inscribed with a vocal notation devised round 450 BC, consisting of alphaguessic letters and indicators positioned above the vowels of the Greek phrases.
The Greeks had labored out the mathsematical ratios of musical intervals — an octave is two:1, a 5th 3:2, a fourth 4:3, and so forth.
The notation offers an accuprice indication of relative pitch.
So what did Greek song sound like? Beneath you’ll listen to David Creese, a classicist from the University of Newcastle, playing “an historical Greek track taken from stone inscriptions constructed on an eight-string ‘canon’ (a zither-like instrument) with movin a position bridges. “The music is credited to Seikilos,” says Archaeology Magazineazine.
For extra information on all of this, learn D’Angour’s article over on the BBC.
Observe: An earlier version of this put up seemed on our web page in October, 2013.
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