January 31, 2025
How Robert Frost Wrote One of His Most Famous Poems, "Stopping by Woods on a Snowy Evening"

Sev­er­al gen­er­a­tions of Amer­i­can stu­dents have now had the expe­ri­ence of being informed by means of an Eng­lish trainer that they’d been learn­ing Robert Frost all improper, despite the fact that they’d nev­er learn him in any respect. Maximum, a minimum of, had observed his strains “Two roads diverged in a wooden, and I— / I took the only much less trav­eled by means of, / And that has made all of the dif­fer­ence” — or in spite of everything, they’d heard them quot­ed with intent to encourage. “ ‘The Highway No longer Tak­en’ has noth­ing to do with inspi­ra­tion and stick-to-it-ive­ness,” writes The Hedge­hog Evaluation’s Ed Simon in a reflec­tion on Frost’s one hundred and fiftieth beginning­day. Moderately, “it’s a melan­cholic exha­los angeles­tion on the futil­i­ty of selection, a dirge about endur­ing within the face of imply­ing­much less­ness.”

Sim­i­lar­ly mis­in­ter­pret­ed is Frost’s sec­ond-known poem, “Forestall­ping by means of Woods on a Snowy Night,” whose wag­on-dri­ving nar­ra­tor publicizes that “the woods are love­ly, darkish and deep, / However I’ve promis­es to stay / And miles to move earlier than I sleep, / And miles to move earlier than I sleep.” You’ll be able to listen the entire thing learn aloud by means of Frost him­self in the brand new video above from Evan Puschak, wager­ter referred to as the Nerd­creator.  “What attracts me in is the crys­talline clar­i­ty of the imagery,” says Puschak. “You rapid­ly percent­ture this qui­et, win­check out night time scene that Frost con­jures,” one who feels as though it belongs in “a lim­i­nal house” the place “time and nature don’t seem to be divid­ed and struc­tured in human techniques.”

Frost conjures up this really feel­ing “pre­cise­ly by means of struc­tur­ing time and house in a human means” — this is, the use of the struc­tures of poet­ry. Puschak breaks down the rel­e­vant tech­niques like its rhythm, meter, and rhyme scheme (rhyming being a qual­i­ty of his paintings that when were given him classified, as Simon places it, “a jin­gle guy out of step with the prosod­ic con­ven­tions of the twen­ti­eth cen­tu­ry”). However “the appear­ing sim­plic­i­ty of the imagery, phras­ing, and struc­ture of this poem con­ceal numerous sub­tle­ty,” and the extra you have a look at it, “the extra you spot the actual global intrud­ing at the nar­ra­tor’s med­i­ta­tive second.”

“It’s exhausting to not learn ‘Forestall­ping by means of Woods on a Snowy Night’ as con­cern­ing self-anni­hello­los angeles­tion (albeit self-anni­hello­los angeles­tion keep away from­ed),” writes Simon. In any case, why position that “However” after “the obser­va­tion of the darkish, love­ly ultimate­i­ty of the woods, of that frozen lake so amenable to drown­ing one­self, if handiest then to reaf­company that listed below are promis­es to stay, miles to move earlier than he sleeps, respon­si­bil­i­ties and tasks that should be ful­stuffed earlier than loss of life may also be input­tained?” That is exhausting­ly the type of sub­ject you’d be expecting from “the Nor­guy Rock­smartly of verse,” as Frost’s sheer acces­si­bil­i­ty led many to in keeping with­ceive him. However as with poet­ry of any cul­ture or technology, suf­fi­cient­ly shut learn­ing is what actual­ly makes all of the dif­fer­ence.

Relat­ed con­tent:

Listen Robert Frost Learn His Maximum Well-known Poems: “The Highway No longer Tak­en,” “Mend­ing Wall,” “Noth­ing Gold Can Keep” & Extra

Lis­ten to Robert Frost Learn ‘The Reward Out­proper,’ the Poem He Recit­ed from Mem­o­ry at JFK’s Inau­gu­ra­tion

How Emi­ly Dick­in­son Writes A Poem: A Quick Video Intro­duc­tion

How John Keats Writes a Poem: A Line-by-Line Destroy­down of “Ode on a Gre­cian Urn”

How E. E. Cum­mings Writes a Poem

Primarily based in Seoul, Col­in Marshall writes and wide­casts on towns, lan­guage, and cul­ture. His tasks come with the Sub­stack newslet­ter Books on Towns and the e book The State­much less Town: a Stroll thru Twenty first-Cen­tu­ry Los Ange­les. Fol­low him at the social web­paintings for­mer­ly referred to as Twit­ter at @colinmarshall.


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