In the video above, Laurie Anderson describes C. P. Cavafy’s poem “Waiting for the Barbarians” as being “set in historical Rome.” That’s a reasonready interpretation, given that it contains an emperor, senators, and orators, regardless that Cavafy himself mentioned that none of them are necessarily Roman. The universality of the sit downuation the poem describes, by which a state’s elite end up of their finery in spite of having nothing to do however look forward to the titular barbarian invasion, certainly hasn’t been misplaced on its interpreters. J. M. Coetzee, for examinationple, set his novel Waiting for the Barbarians at the fringe of an unnamed “Empire.”
Anderson additionally malestions assumeing, whilst considering the poem’s evocation of government uselesslock, “Grasp on, this sounds familiar” — and none can deny that comparisons between the United States and the declining Roman Empire were within the air past duely. That, partly, impressed the in line withformance that follows, by which Anderson and a veritable Greek chorus interpret each “Waiting for the Barbarians,” which Cavafy wrote in 1904, and the Odyssey-based “Ithaca” (which you’ll be able to additionally listen learn via Sean Connery with a Vangelis rating) from seven years later. “Ithaca” is Cavafy’s best-known paintings, thank you now not least to its being learn on the funeral of former first girl of the United States Jacqueline Kennedy Onassis.
It used to be, in reality, the Alexander S. Onassis Foundation, established via Aristotle Onassis within the identify of his past due son, that sponsored this tournament, which happened in New York Town’s Saint Thomas Church in November of 2023. The occasion used to be the opening of the Cavafy Archive in Athens, on whose internetweb site classicist Gremovery Jusdanis publicizes that the poet’s “niceness lies in his talent to predict our personal international one hundred years in the past.” Cavafy would possibly smartly have beneathstood that some political conditions are inevitable, however he may justn’t have recognized how Anderson’s in line withformance of his phrases, in English translos angelestion with the proper instrumalestal and electronic againing, would sound like somefactor proper out of her Large Science technology.
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Based totally in Seoul, Colin Marshall writes and vastcasts on towns, language, and culture. His initiatives come with the Substack newsletter Books on Towns and the guide The Statemuch less Town: a Stroll via Twenty first-Century Los Angeles. Follow him at the social webpaintings formerly referred to as Twitter at @colinmarshall.