November 15, 2024
How Audrey Hepburn Risked Death to Help the Dutch Resistance in World War II

Audrey Hep­burn won’t have had probably the most professional­lif­ic Hol­ly­picket profession, however an excellent few of her char­ac­ters nonetheless really feel as of late like roles she was once born to play. Consistent with­haps the similar can have been true of the a part of Anne Frank, had she no longer refused to take it up. When Anne’s father Otto Frank inquired about it, one may imag­ine that Hep­burn felt like she did­n’t have the appropriate expe­ri­ence to play that younger girl, now lengthy regard­ed because the embod­i­ment of the vic­tims of the Holo­caust. Actually, for the actress who could be remem­bered as Princess Ann and Hol­ly Golight­ly, it was once too with reference to house: Hep­burn may just remem­ber all too smartly her personal har­row­ing wartime expe­ri­ence within the Nether­lands, com­ing to the purpose of big name­va­tion whilst concealed­ing from the Nazis.

Born in Bel­gium, the younger Hep­burn went to board­ing college in Eng­land within the mid-nine­teen-thir­ties. On the finish of that decade, with the out­damage of the struggle, she went along with her moth­er to reside within the Nether­lands. A stu­dent of bal­let, she danced for audi­ences that includ­ed Nazi par­ty mem­bers — an unavoid­ready reality of which a lot has been made — however she additionally danced, secret­ly, for the resis­tance. As biog­ra­ph­er Robert Matzen writes, “Audrey’s celebri­ty as a bal­le­ri­na for close to­ly 4 years on the Arn­hem town the­ater made her tal­ents valu­ready to Dr. Viss­er ’t Hooft,” one in every of that transfer­males­t’s lead­ers, who placed on “ille­gal musi­cal in keeping with­for­mances at var­i­ous by-invi­ta­tion-only loca­tions” intended to earn artists mon­ey “once they have been compelled out of the Dutch primary­circulation through the Nazi union of artists, the Kul­tu­urkamer.”

Hep­burn her­self dis­cuss­es this peri­od in the inter­view clip on the best of the submit. As time went on, Matzen writes, “Dr. Viss­er ’t Hooft despatched her at one level dur­ing this peri­od to take a mes­sage, and in keeping with­haps meals, to one of the crucial downed fliers. Her qual­i­fi­ca­tions had been sim­ple: She spoke Eng­lish flu­ent­ly the place­as oth­er younger peo­ple with­in simple succeed in within the vil­lage didn’t.”

Within the autumn of 1944, “she and her fam­i­ly saved a British para­troop­er of their base­ment, the lat­est act in a chain of defi­ances,” writes Den of Geek’s David Crow. “By way of the fol­low­ing win­ter, they too could be liv­ing down there, cautious to even move slowly out of ‘mattress’ because the bombs fell on their small Dutch vil­lage of Velp.” Even­tu­al­ly, “after what was once left in their meals was once deplet­ed, they ate tulip bulbs. When the ones had been long past, they ate the weeds.”

Persevered at the sort of younger age, this ordeal had final­ing results. “The depri­va­tions would hang-out Audrey the remainder of her days, tell­ing her svelte body and, Matzen argues, pos­si­bly her ear­ly demise from appen­diceal can­cer.” No received­der, then, that she remained honest­ly tac­i­flip about her struggle even after becom­ing an inter­na­tion­al­ly well-known actress (an adjust­na­tive to her first dream of danc­ing). Therefore the for­mi­da­ble chal­lenge laid ahead of Matzen within the analysis that went into what was Dutch Lady: Audrey Hep­burn and Global Struggle II, which you’ll pay attention him dis­cuss in the Sto­ry­tellers’ Stu­dio video simply above. Her sto­ry grew to become out dif­fer­ent­ly from Anne Frank’s — which itself, as Matzen argues, beset her with a type of “sur­vivor’s guilt” — however now, either one of them survive as icons of the twen­ti­eth cen­tu­ry at its gentle­est and darkish­est.

Relat­ed con­tent:

Audrey Hepburn’s Mov­ing Display screen Take a look at for Roman Hol­i­day (1953)

How Two Teenage Dutch Sis­ters Finish­ed Up Sign up for­ing the Resis­tance and Assas­si­nat­ing Nazis Dur­ing Global Struggle II

Albert Camus, Edi­tor of the French Resis­tance Information­pa­in keeping with Com­bat, Writes Mov­ing­ly About Existence, Pol­i­tics & Struggle (1944–47)

Col­or Pictures of the Lib­er­a­tion of Paris, Shot through Hol­ly­picket Direc­tor George Stevens (1944)

Cha­rade, the Perfect Hitch­cock Movie Hitch­cock Nev­er Made. Stars Cary Grant & Audrey Hep­burn

Based totally in Seoul, Col­in Marshall writes and vast­casts on towns, lan­guage, and cul­ture. His initiatives come with the Sub­stack newslet­ter Books on Towns and the guide The State­much less Town: a Stroll via Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­guide.


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