November 14, 2024
David Bowie Predicts the Good & Bad of the Internet in 1999: "We’re on the Cusp of Something Exhilarating and Terrifying”

“We’re at the cusp of a few­factor exhil­a­rat­ing and ter­ri­fy­ing.”

The yr is 1999 and David Bowie, in shag­gy hair and groovy glass­es, has noticed the longer term and it’s the Inter­web.

On this quick however fas­ci­nat­ing inter­view with BBC’s stal­wart and with­er­ing inter­roga­tor cum inter­view­er Jere­my Pax­guy, Bowie provides a fore­forged of the many years to come back, and will get maximum of it proper, if now not all. Pax­guy dole­ful­ly performs satan’s advo­cate, despite the fact that I sus­pect he did actual­ly see the Web as a “instrument”– sim­ply a repack­ag­ing of an exist­ing medi­um.

“It’s an alien lifestyles shape that simply land­ed,” Bowie coun­ters.

Bowie, who had arrange his personal bowie.web as a pri­vate ISP the pre­vi­ous yr, starts by way of say­ing that if he had get started­ed his occupation in 1999, he should not have been a musi­cian, however a “fan col­lect­ing data.”

It sound­ed provoca­tive on the time, however Bowie makes some degree right here that has tak­en on extra cre­dence in recent times–that the rev­o­lu­tion­ary sta­tus of rock within the ‘60s and ‘70s was once tied to its rar­i­ty, that the inabil­i­ty to learn­i­ly pay attention tune gave it pow­er and cur­ren­cy. Rock is now “a occupation oppor­tu­ni­ty,” he says, and the Inter­web now has the attract that rock as soon as did.

What Bowie would possibly now not have noticed is how fast­ly that attract would put on off. The Inter­web now not has a mys­tery to it. It’s clos­er to a pub­lic util­i­ty, strange­ly some degree that Bowie makes lat­er when communicate­ing concerning the inven­tion of the tele­telephone.

Bowie additionally licensed of the demys­ti­fi­ca­tion between the artist and audi­ence that the Inter­web was once professional­vid­ing. In his ultimate decade, how­ev­er, he would search out anonymi­ty and pri­va­cy, drop­ping his ultimate two albums sud­den­ly with­out fan­fare and refus­ing all inter­perspectives. He additionally didn’t fore­see the type of trolling that sends celebri­ties and artists off of social media.

Pax­guy sees the frag­males­ta­tion of the Inter­web as a prob­lem; Bowie sees it as a plus.

“The poten­tial of what the Inter­web goes to do to soci­ety, each just right and unhealthy, is unimag­in­in a position.”

There’s much more to unpack on this seg­ment, and let your dif­fer­ing view­issues be identified within the com­ments. It’s what Bowie would have need­ed.

Relat­ed Con­tent:

David Bowie Gives Recommendation for Aspir­ing Artists: “Cross a Lit­tle Out of Your Intensity,” “Nev­er Ful­fill Oth­er Other people’s Expec­ta­tions”

David Bowie on Why It’s Loopy to Make Artwork–and We Do It Any­method (1998)

Watch David Bowie In line with­shape “Megastar­guy” on Most sensible of the Pops: Vot­ed the Nice­est Song In line with­for­mance Ever at the BBC (1972)

How David Bowie Used William S. Bur­roughs’ Minimize-Up Way to Write His Unfor­get­desk Lyrics

Ted Generators is a unfastened­lance creator at the arts who cur­hire­ly hosts the artist inter­view-based FunkZone Pod­forged. You’ll be able to additionally fol­low him on Twit­ter at @tedmills, learn his oth­er arts writ­ing at tedmills.com and/or watch his movies right here.


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