How the Thirteenth-Century Sufi Poet Rumi Turned into Some of the International’s Maximum Standard Writers

“The trans­for­ma­tive second in Rumi’s existence got here in 1244, when he met a wan­der­ing mys­tic referred to as Shams of Tabriz,” writes the BBC’s Jane Cia­bat­tari. She quotes Brad Gooch, creator of Rumi’s Secret: The Lifetime of the Sufi Poet of Love, describ­ing them as hav­ing an “elec­tric pal­send for 3 years,” and then Shams dis­ap­peared. “Rumi coped through writ­ing poet­ry,” which contains 3,000 poems writ­ten for “Shams, the prophet Muham­mad and God. He wrote 2,000 rubay­at, four-line qua­trains. He wrote in cou­plets a six-vol­ume spir­i­tu­al epic, The Mas­navi.” He did all this paintings in ser­vice of what, in the ani­mat­ed TED-Ed les­son above, Stephanie Honchell Smith calls his ulti­mate objective: “the reuni­fi­ca­tion of his soul with God during the expe­ri­ence of divine love.”

How is this sort of like to be accessed? “Love is living no longer in be told­ing, no longer in knowl­edge, no longer in pages in books,” Rumi declared. “Wher­ev­er the debates of guys might lead, that isn’t the lover’s trail.” He pur­sued it thru devo­tion to Shams’ Sufism, “par­tic­i­pat­ing in rit­u­al­ized danc­ing and pontificate­ing the reli­gion of affection thru lec­tures, poet­ry, and prose.” Lat­er in existence, he shift­ed “from ecsta­t­ic expres­sions of divine like to vers­es that information oth­ers to dis­cov­er it for them­selves,” incor­po­rat­ing “concepts, sto­ries, and quotes from Islam­ic reli­gious texts, Ara­bic and In line with­sian lit­er­a­ture and ear­li­er Sufi writ­ings and poet­ry.” In line with­haps there may also be no complete appre­ci­a­tion of Rumi’s paintings with­out a schol­ar’s beneath­stand­ing of the lan­guages and cul­tures he knew. But when his gross sales fig­ures are any­factor to head through, the lengthy­ing into which his com­plex paintings faucets is uni­ver­sal.