November 15, 2024
Wes Anderson Directs & Stars in an Ad Celebrating the 100th Anniversary of Montblanc's Signature Pen

One onerous­ly needs to be a professional at the motion pictures of Wes Ander­son to imag­ine that the person writes with a foun­tain pen. Perhaps again within the ear­ly 9­teen-nineties, when he used to be shoot­ing the black-and-white quick that will turn out to be Bot­tle Rock­et at the streets of Austin, he needed to set­tle for ordi­nary ball­issues. However now that he’s lengthy since claimed his position within the most sensible ranks of primary Amer­i­can auteurs, he can indulge his style for painstak­ing crafts­guy­send and recent-past anti­quar­i­an­ism each onscreen and stale. For a logo like Mont­blanc, this certain­ly made him the ide­al option to direct a com­mer­cial cel­e­brat­ing the hun­dredth anniver­sary in their flag­send writ­ing instrument, the Meis­ter­stück.

Shot at Stu­dio Babels­berg in Ger­many, the place Ander­son is at paintings on his subsequent fea­ture The Phoeni­cian Scheme, the end result­ing quick “fea­tures Ander­son him­self, game­ing a wispy wal­rus mus­tache, in addition to fre­quent col­lab­o­ra­tors Jason Schwartz­guy and Rupert Pal, all pos­ing as a gaggle of moun­tain-climbers with a par­tic­u­lar affec­tion for the unfastened­dom and inspi­ra­tion introduced via Montblanc’s prod­ucts,” writes Indiewire’s Har­ri­son Wealthy­lin.

With­in its first minute, “the advert takes us from the chilly, snowy caps of Mont Blanc to a comfortable chalet Ander­son publicizes as The Mont Blanc Obser­va­to­ry and Author’s Room.” Trend Busi­ness’ Christi­na Bink­ley studies that this indoor-to-out­door tran­si­tion by myself required 50 takes, which used to be simplest one of the most sur­pris­es in retailer for Mont­blanc’s mar­ket­ing offi­cer.

Ander­son additionally became up with an unex­pect­ed professional­pos­al of his personal. “The movie­mak­er pre­despatched­ed a professional­to­sort pen of his personal design that he requested the Ger­guy com­pa­the big apple to guy­u­fac­ture,” Bink­ley writes. “He’d even named it: the Schreiber­ling, because of this ‘the scrib­bler’ in Ger­guy. That had now not been a part of the pitch.” Consistent with­haps con­vinced via the constructed professional­to­sort assem­bled via Ander­son­’s set-design workforce, Mont­blanc “agreed to professional­duce 1,969 copies of this small, inexperienced foun­tain pen to com­mem­o­fee Ander­son­’s delivery 12 months, 1969.” At 55 years of age, Ander­son would possibly now not be the preter­nat­u­ral­ly con­fi­dent younger movie­mak­er we remem­ber from the times of Rush­extra or The Roy­al Tenen­baums, however since then, he’s simplest grown more proficient at get­ting actual­ly what he desires from a com­pa­the big apple, whether or not it’s a film stu­dio or a Euro­pean lux­u­ry-goods guy­u­fac­tur­er.

Relat­ed Con­tent:

Wes Anderson’s Shorts Motion pictures & Com­mer­cials: A Playlist of 8 Quick Ander­son­ian Works

Mont­blanc Unveils a New Line of Miles Davis Pens … and (More or less) Blue Ink

Why Do Wes Ander­son Motion pictures Glance Like That?

Neil Gaiman Talks Dream­i­ly About Foun­tain Pens, Observe­books & His Writ­ing Procedure in His Lengthy Inter­view with Tim Fer­riss

Has Wes Ander­son Bought Out? Can He Promote Out? Crit­ics Take Up the Debate

Based totally in Seoul, Col­in Marshall writes and vast­casts on towns, lan­guage, and cul­ture. His initiatives come with the Sub­stack newslet­ter Books on Towns, the e-book The State­much less Town: a Stroll via Twenty first-Cen­tu­ry Los Ange­les and the video collection The Town in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­e-book.


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