November 15, 2024
André Breton's Surrealist Manifesto Turns 100 This Year

Peo­ple don’t appear to put in writing numerous guy­i­festos nowadays. Or in the event that they do write guy­i­festos, they don’t make the affect that they’d have a cen­tu­ry in the past. Actually, this yr marks the hun­dredth anniver­sary of the Guy­i­feste du sur­réal­isme, or Sur­re­al­ist Guy­i­festo, some of the well-known such document­u­ments. Or slightly, it was once two of probably the most well-known such document­u­ments, every of them writ­ten via a dif­fer­ent poet. On Octo­ber 1, 1924, Yvan Goll pub­lished a person­i­festo within the title of the sur­re­al­ist artists who regarded to him as a pace-setter (includ­ing Dada Guy­i­festo creator Tris­tan Tzara). Two weeks lat­er, André Bre­ton pub­lished a person­i­festo — the primary of 3 — rep­re­despatched­ing his personal, dis­tinct, team of sur­re­al­ists with the exact same name.

Despite the fact that Goll could have beat­en him to the punch, we will protected­ly say, at a dis­tance of 1 hun­dred years, that Bre­ton wrote the extra endur­ing guy­i­festo. You’ll learn it on-line within the orig­i­nal French in addition to in Eng­lish trans­l. a.­tion, however ahead of you do, con­sid­er watch­ing this quick France 24 Eng­lish document­u­males­tary on its impor­tance, in addition to that of the sur­re­al­ist artwork transfer­ment that it spark off.

“There’s daily actual­i­ty, after which there’s supe­ri­or actual­i­ty,” says its nar­ra­tor. “That’s what André Bre­ton’s Sur­re­al­ist Guy­i­festo was once goal­ing for: an artis­tic and spir­i­tu­al rev­o­lu­tion” dri­ven via the rejec­tion of “rea­son, log­ic, or even lan­guage, all of which its acolytes believed obscured deep­er, extra mys­ti­cal truths.”

“The true­is­tic atti­tude, impressed via pos­i­tivism, from Saint Thomas Aquinas to Ana­tole France, transparent­ly turns out to me to be hos­tile to any intel­lec­tu­al or ethical advance­ment,” the skilled document­tor Bre­ton broadcasts within the guy­i­festo. “I detest it, for it’s made up of medi­oc­rity, hate, and uninteresting con­ceit. It’s this atti­tude which these days provides delivery to those ridicu­lous books, those insult­ing performs.” He would possibly smartly have additionally noticed it as giv­ing upward push to occasions just like the First Global Warfare, whose grind­ing sense­much less­ness he wit­nessed paintings­ing in a neu­ro­log­i­cal ward and automobile­ry­ing stretch­ers off the bat­tle­box. It was once those expe­ri­ences that direct­ly or indi­rect­ly impressed a wave of avant-garde twen­ti­eth-cen­tu­ry artwork, quite a lot of items of which superstar­tle us even these days — which is say­ing some­factor, giv­en our dai­ly nutrition of absur­di­ties in twen­ty-first cen­tu­ry existence.

Relat­ed con­tent:

An Intro­duc­tion to Sur­re­al­ism: The Giant Aes­thet­ic Concepts Pre­despatched­ed in 3 Movies

Europe After the Rain: Watch the Vin­tage Document­u­males­tary at the Two Nice Artwork Transfer­ments, Dada & Sur­re­al­ism (1978)

A Temporary, Visu­al Intro­duc­tion to Sur­re­al­ism: A Primer via Document­tor Who Celebrity Peter Capal­di

The For­were given­ten Ladies of Sur­re­al­ism: A Magazine­i­cal, Quick Ani­mat­ed Movie

Learn and Listen Tris­tan Tzara’s “Dada Guy­i­festo,” the Avant-Garde Document­u­ment Pub­lished 100 Years In the past (March 23, 1918)

Primarily based in Seoul, Col­in Marshall writes and wide­casts on towns, lan­guage, and cul­ture. His initiatives come with the Sub­stack newslet­ter Books on Towns, the e book The State­much less Town: a Stroll thru Twenty first-Cen­tu­ry Los Ange­les and the video collection The Town in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­e book.


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