November 24, 2024
Hear Flannery O'Connor Read "A Good Man is Hard to Find" (1959)

Flan­nery O’Con­nor used to be a South­ern author who, as Joyce Automotive­ol Oates as soon as stated, had much less in com­mon with Faulkn­er than with Kaf­ka and Kierkegaard. Iso­lat­ed by way of deficient well being and con­sumed by way of her fer­vent Catholic religion, O’Con­nor cre­at­ed works of ethical fic­tion that, accord­ing to Oates, “weren’t delicate New York­er sto­ries of the technology during which noth­ing hap­pens with the exception of within the char­ac­ters’ minds, however sto­ries during which some­factor hap­pens of irre­versible magazine­ni­tude, steadily loss of life by way of vio­lent method.”

In imag­in­ing the ones occasions of irre­versible magazine­ni­tude, O’Con­nor may some­occasions appear outlandish–even cartoonish–however she robust­ly reject­ed the perception that her in step with­cep­tions of twentieth cen­tu­ry lifestyles had been dis­tort­ed. “Writ­ers who see by way of the sunshine in their Chris­t­ian religion could have, in those occasions, the sharpest eye for the gruesome, for the in step with­verse, and for the unac­cept­ready,” O’Con­nor stated. “To the arduous of listen­ing you shout, and for the almost-blind you draw massive and big name­tling fig­ures.”

In April of 1959–5 years prior to her loss of life on the age of 39 from lupus–O’Connor ven­tured clear of her seclud­ed fam­i­ly farm in Milledgeville, Geor­gia, to offer a learn­ing at Van­der­bilt Uni­ver­si­ty. She learn one among her most famed and unset­tling sto­ries, “A Excellent Guy is Laborious to In finding.” The audio, acces­si­ble above, is one among two identified file­ings of the creator learn­ing that sto­ry. In her dis­tinc­tive Geor­gian drawl, O’Con­nor tells the sto­ry of a destiny­ful fam­i­ly commute:

The grand­moth­er did­n’t need to pass to Flori­da. She need­ed to vis­it a few of her con­nec­tions in east Ten­nessee and she or he used to be seiz­ing at each and every likelihood to modify Bai­ley’s thoughts. Bai­ley used to be the son she lived with, her most effective boy. He used to be take a seat­ting at the fringe of his chair on the desk, bent over the orange sports activities sec­tion of the Jour­nal. “Now glance right here, Bai­ley,” she stated, “see right here, learn this,” and she or he stood with one hand on her skinny hip and the oth­er rat­tling the inside track­pa­in step with at his bald head. “Right here this fel­low that calls him­self The Mis­have compatibility is aloose from the Fed­er­al Pen and head­ed towards Flori­da and also you learn right here what it says he did to those peo­ple. Simply you learn it. I might­n’t take my chil­dren in any direc­tion with a crim­i­nal like that aloose in it. I may­n’t resolution to my con­science if I did.”

After you lis­ten to this uncommon monitor, you’ll be able to fol­low this hyperlink to a file­ing of O’Con­nor learn­ing her 1960 essay, “Some Sides of the Gruesome in South­ern Fic­tion,” during which she writes: “I’ve discovered that any­factor that comes out of the South goes to be known as gruesome by way of the North­ern learn­er, except it’s gruesome, during which case it will be known as actual­is­tic.”

Word: An ear­li­er ver­sion of this publish used to be first pub­lished on our web site in 2012.

Relat­ed Con­tent:

Flan­nery O’Connor Reads ‘Some Sides of the Gruesome in South­ern Fic­tion’ (c. 1960)

Pay attention Flan­nery O’Connor’s Quick Sto­ry, “Rev­e­l. a.­tion,” Learn by way of Leg­endary His­to­ri­an & Radio Host, Studs Terkel

Flan­nery O’Connor’s “Each­factor That Ris­es Should Con­verge” Learn by way of Estelle Par­sons


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