January 8, 2025
Beautifully-Preserved Frescoes with Figures from the Trojan War Discovered in a Lavish Pompeii Home

Symbol by the use of  Pom­peii Archae­o­log­i­cal Park

Imag­ine vis­it­ing the house of a promi­nent, rich fig­ure, and on the night time’s finish to find­ing your­self in a room ded­i­cat­ed to late-night input­tain­ing, paint­ed whole­ly black with the exception of for a couple of scenes from antiq­ui­ty. In line with­haps this may­n’t sound whole­ly implau­si­ble in, say, twen­ty-first cen­tu­ry Sil­i­con Val­ley. However such puts additionally exist­ed in antiq­ui­ty itself: or a minimum of one among them did, as contemporary­ly dis­cov­ered in Pom­peii. Pre­served for close to­ly two mil­len­nia now through the ash of Mount Vesu­vius, the ruins of that town give us the transparent­est and maximum detailed archae­o­log­i­cal insights we now have into existence on the peak of the Roman Empire — however even lately, a 3rd of the web site has but to be exca­vat­ed.

That archae­o­log­i­cal dig con­tin­ues apace, and its lat­est dis­cov­ery — more moderen than the Pom­pei­ian “snack bar” and “piz­za” pre­vi­ous­ly fea­tured right here on Open Cul­ture — is “a spec­tac­u­lar ban­quet­ing room with ele­gant black partitions, dec­o­rat­ed with mytho­log­i­cal char­ac­ters and sub­jects impressed through the Tro­jan Warfare,” includ­ing such mytho­log­i­cal char­ac­ters as Helen, Paris, Cas­san­dra, and Apol­lo.

“It professional­vid­ed a elegant set­ting for input­tain­ment dur­ing con­vivial moments, whether or not ban­quets or con­ver­sa­tions, with the transparent goal of pur­su­ing an ele­gant way of life, replicate­ed through the dimensions of the gap, the pres­ence of fres­coes and mosaics dat­ing to the 3rd Taste.”

Fres­coes in that Roman 3rd Taste, explains Hyper­al­ler­gic’s Rhea Nay­yar, fea­ture “small, high-quality­ly paint­ed fig­ures and sub­jects that appear to waft with­in mono­chro­mat­ic fields,” designed “to mim­ic framed artistic endeavors or altars thru illu­sions resem­bling carved beams, shad­ed pil­lars, and shin­ing can­de­labras — all of that have been paint­ed on flat partitions.”

The col­or of the ones partitions, on this case, turns out to were cho­sen to cover the automobile­bon deposits left through oil lamps burn­ing all evening lengthy. As record­ed through BBC Sci­ence Information, the com­mis­sion­er of this room, and certainly of the lav­ish space during which it’s locat­ed, can have been Aulus Rustius Verus, a “super-rich” native politi­cian who — assum­ing deci­sive archae­o­log­i­cal evi­dence emerges in his prefer — additionally knew tips on how to par­ty.

by the use of Hyper­al­ler­gic

Relat­ed con­tent:

A New­ly-Dis­cov­ered Fres­co in Pom­peii Finds a Pre­cur­sor to Piz­za

Take a Top Def, Guid­ed Excursion of Pom­peii

Archae­ol­o­gists Dis­cov­er an Historical Roman Snack Bar within the Ruins of Pom­peii

Behold 3-d Recre­ations of Pompeii’s Lav­ish Houses — as They Exist­ed Sooner than the Erup­tion of Mount Vesu­vius

Watch the Destruc­tion of Pom­peii through Mount Vesu­vius, Re-Cre­at­ed with Com­put­er Ani­ma­tion (79 AD)

Pom­peii Rebuilt: A Excursion of the Historical Town Sooner than It Used to be Entombed through Mount Vesu­vius

Based totally in Seoul, Col­in Marshall writes and huge­casts on towns, lan­guage, and cul­ture. His tasks come with the Sub­stack newslet­ter Books on Towns, the e book The State­much less Town: a Stroll thru Twenty first-Cen­tu­ry Los Ange­les and the video sequence The Town in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­e book.


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